In terms of stylistics, as mentioned in Content I watched David Fincher's Seven (1995)  and I personally liked the method in which Fincher shot it. After seeing this I did research on his trademark style which led me to a website (CineLinx 2014) that shed light on the style. A major element which inhibits his style is the use of dark lighting, overlays and a very minuscule colour palette. I want to incorporate this into this piece as the use of dark lighting could possibly connote a serious and gritty tone, which I am aiming for. In addition I want to use more stable camera shots and tracking shots as they would help establish the scene more easily, however I have contemplated using more handheld shots, but I felt they would portray more negative emotions and personally I could see the piece being more cinematic through the use of stable shots. 

Also mentioned in the article is Fincher's use of

single frame insertions in majority of his films

(especially in Fight Club (1999).

This use of single frame insertions is to add

small easter egg such as the use of adding

Brad Pitt's character to scenes not involving

him as it could be interpreted to being a hint at

the fact that his character doesn't actually exist

and is just a split personality of the narrator himself.